Illustrator Abbey Lossing grew up in the midwest with drawing as a favorite pastime and influence from a grandmother who was a portrait painter. By high school, she was starting to take drawing seriously, and that led to focused college studies in illustration. Always feeling drawn to the freelance way of life, she set herself up for success by first paving the road with two years of corporate “real job” work before setting out on her own. Here, she shares how she gained her professional footing.

Internationally acclaimed designer Humberto Campana grew up in small-town Brazil and found imaginative freedom in crafts and the local movie theater. During his adolescence it was considered subversive, even dangerous, to become an artist so he decided law school was the best way to get to the big city. He eventually abandoned law in order to “construct his life with his own hands.” A near-death experience led to his first chair design and the formation of an enduring studio partnership with his brother. 

Costume concept artist Gina DeDomenico Flanagan spent the first half of her childhood roller skating around a cul-de-sac and the second half riding a horse around Hawaii. She studied fashion and illustration and then found her way into the entertainment business working with costume designers. After a 10-year motherhood hiatus and a divorce, she re-entered the industry and found that everything had gone digital. Through tears and hard work she learned the new tools and now she helps outfit superheroes. Pow!

Artist and designer Zoë Pawlak knew in childhood that life in suburbia wasn’t the whole picture, so she saved her babysitting money to spend some time in Chile with relatives. The experience opened the door to fine art and after studying painting in high school and college, a pregnancy dictated she must put her skills to work professionally. Successful in her painting, she is now making a name as a rug designer also. With 2 ½ years of sobriety going for her she is joyful and fully present. What a gift!

Artist and designer, Chris Schanck, moved upwards of 22 times in his youth. He credits Uncle Rocco with firing up his creative engine at an early age, and an arts magnet school in adolescence with “saving his life.” That’s not an overstatement. Fast forward a few years and he’s developed a distinct visual language, has a solo show at a prestigious gallery under his belt, and critically successful body of work. Now, he’s built a life and studio in Detroit, where he is attempting to put down some roots.

Ingrid LaFleur is an artist, curator, pleasure activist, cannabis advocate and founder of Afrotopia, a creative platform that looks for ways to implement afrofuturist principles. She is also a very emphatic and supportive native of Detroit. In fact, in 2017 she ran for Mayor and created a plan of action that included radical thought, innovative ideas and solid brilliant logic. She’s doing the work, gently and joyfully crafting a future of conscious co-liberators, decentralized power and decolonized minds.

We teamed up with COS for this Clever Extra to celebrate the exquisite art of Dorothea Rockburne. Courtney J. Martin, Chief Curator of Dia Art Foundation, elaborates on Rockburne’s conceptual approaches and techniques while offering us a view of her curatorial methods in mounting a long-term exhibition of her work. Karin Gustafsson, Creative Director for COS, reveals how her admiration for Rockburne’s work - the lines, textures and simplicity of materials, inspired the direction of the current collection.

Collector and high-design advocate, Lisa Roberts, reflects on a childhood spent in an architecturally significant home that discomfited her because it made her feel different from her peers, and also ignited her passion for design because it seeped into her very being. Now, having collected more than 400 “Antiques of the Future,” she uses her collection to educate, author books, and advocate for the game changing power of design. Not too shabby for ol’ Curtains Roberts, eh? Mr. Waffles approves. Meow!

Designer, illustrator and artist Timothy Goodman was labeled a “dead-end kid” in his youth until he did four years of hard labor with a mentor/father-figure in the home improvement industry, through which he found both discipline and a desire to study design. A degree and a few more mentors later he’s now known for his illustrations, viral social experiments, murals, books and even protests. Plus, he’s checking his white cis straight male privilege and championing inclusion in ways both meaningful and practical. Pretty rad.

MoMA’s Senior Curator of Architecture & Design, Paola Antonelli, grew up steeped in the design culture of Milan and developed a sense of fearlessness from frequent travels to foreign lands. After studying architecture in school she landed in the curatorial arts without even aiming for it. She talks to us about how she views objects as lenses for understanding the complexity of the built world and her passionate belief that cultural institutions, like museums, are the R&D of society. *Swoon*