President and Creative Director of Bernhardt Design, Jerry Helling, grew up on a ranch in a remote town with 11 people in his graduating class before venturing to USC and a potential career in Hollywood. A personal epiphany combined with serendipity rerouted him into the furniture business, resulting in a long and distinguished career as a keen mentor of talent, a champion of originality, a risk-taking, needle-moving industry voice, and a major benefactor of international design. Plus, he’s really nice!

Fashion journalist and design retailer Rose Apodaca wears many professional hats. She spent her youth immersed in the lively Los Angeles music and skateboarding scenes, then became a journalist covering city politics, gang detail and street tribes. After a stint as the west coast bureau chief of Women’s Wear Daily, she started A+R, a design retail business, with her partner Andy. Along the way she’s owned a few bars, written a few books, adopted a child and lived every day with an enviably stylish gusto.

Eric Quint, Chief Design Officer of 3M, incubated a lifelong habit of design thinking in youth at the family kitchen table. After studying engineering and industrial design he embarked on a distinguished career at Philips where he evolved from designer to design leader. Now, as the first CDO of 3M, he’s a champion of collaborative creativity and spends his energy in the exciting and complex job of pushing the front edge of progress. Oh, and he’s a jazz guy—find out how that influences his leadership style.

Product designer and installation artist, Nika Zupanc, has always had a strong emotional reaction to furniture, both positive and negative. Born and raised in former Yugoslavia, she was attracted at a young age to books, cinema and art and that sense of drama and narrative shows up in her work. Her path to design is a pretty straight line; determined, focused and passionate, punctuated by a rebellious use of pink, and a fierce protectiveness of her creativity through time spent in nature and the gym.

Car designer Oliver Heilmer has known he wanted to go into auto design since he was a little kid fascinated by tractors on his grandmother’s farm. He grew up in Munich, Germany drawing machines and vehicles on any paper available, and then studied industrial and automobile design in school. Soon after graduation, he landed a job with BMW Group and has been there ever since. Now, as the head of MINI Design, he’s dedicated to designing for innovation and emotion. This is a long-term love affair, indeed.

Metalworker and designer, Meyghan Hill, tells us how she opted to send herself to military boarding school and then stumbled into a modeling career before empowering herself after a bad break-up by learning to weld. She operates under the provocative and polarizing name of (wh)ORE HAüS Studios, and while it is a play on words, it is also a very powerful conversation-starter, which she then parlays into meaningful dialogue. This episode contains modeling and metal, yes, but no “blue steel” jokes, we promise.

Strategic designer Todd Bracher regales us with tales of a serendipitous ten-year journey, living, loving and learning through Europe, on the way to launching his namesake studio in Brooklyn. Plus, he walks us through what the hell “strategic design” even means, schools us on the concept of “irreducible complexity” and explains his creative approach which he refers to as “essentialism.” Early on, he showed up to a big pitch meeting way overdressed, and now he keeps a poet on standby. 

Collector and high-design advocate, Lisa Roberts, reflects on a childhood spent in an architecturally significant home that discomfited her because it made her feel different from her peers, and also ignited her passion for design because it seeped into her very being. Now, having collected more than 400 “Antiques of the Future,” she uses her collection to educate, author books, and advocate for the game changing power of design. Not too shabby for ol’ Curtains Roberts, eh? Mr. Waffles approves. Meow!

Designer, illustrator and artist Timothy Goodman was labeled a “dead-end kid” in his youth until he did four years of hard labor with a mentor/father-figure in the home improvement industry, through which he found both discipline and a desire to study design. A degree and a few more mentors later he’s now known for his illustrations, viral social experiments, murals, books and even protests. Plus, he’s checking his white cis straight male privilege and championing inclusion in ways both meaningful and practical. Pretty rad.