Designer Liz Ogbu grew up in Oakland as the daughter of Nigerian immigrants, but it wasn’t until her first trip to Nigeria at 16 that she grasped the profound role place, family, and cultural context play in shaping who we are—and what we create. Drawn to the creative possibilities of architecture, she studied both architecture and engineering before traveling across Africa on a Watson Fellowship, an experience that sharpened her understanding of who her work is ultimately for: the people most impacted by design.

Today, Liz is catalyzing what design can do—in transforming informal marketplaces, helping communities heal after being fractured by freeways, and weaving practices of grief, accountability, and repair into the built environment. Her work transcends traditional architecture, centering the excavation of harm and the pursuit of more empathetic, community-rooted design at a moment when it’s needed more than ever. 

When her life collided with a high-profile murder trial, longtime true-crime devotee Stephanie Tinsley found an unexpected path into creative agency and advocacy. After a career in sales and private equity, everything shifted when her husband, attorney Mark Tinsley, was thrust into the spotlight during the Murdaugh murder trials. In this episode, she and Amy discuss the making of Everything They Missed, the inner resources she had to marshal to tell the story well, and why centering human dignity is her driving force in true-crime storytelling.

Molly Heintz grew up fascinated with Greek mythology, and eventually, fashion – drawn to enthralling storytelling and visual aesthetics. She carried this interest in Greek mythology over to studying archeology but when she became burned out in academia, she transitioned to work as a fashion editor, setting her on an entirely new careerpath. From there, she worked in marketing and communications, eventually co-founding Superscript and teaching at SVA, chairing the Masters of Arts in Design Research, Writing & Criticism program. Together with Steven Heller, she’s co-edited The Education of a Design Writer to showcase exemplary design writing and share practical advice for writers. Molly makes a compelling case for why design writing is essential for the design process, and for understanding the world around us. 

Emmy-nominated costume designer Virginia B. Johnson grew up with a “dragon mother,” which shaped her structured habits and her ability to work smoothly amid chaos. Her childhood was filled with intergenerational connection and crafting - learning sewing, embroidery, knitting and crocheting from a “flock of Filipina aunties,” which fostered not only a sense of community, but a foundational skill for her eventual career. Although she was a pre-med major in college, a serendipitous side gig in a college theater costume shop sparked a passionate pivot to a career that now includes critically-acclaimed and award-winning projects like Hillbilly Elegy and American Primeval, and the opportunity to lead teams in the art of deploying deep craft and rigorous, reverent cultural authenticity to drive powerful storytelling. 

Julia Watson, a landscape architect, author, and educator, developed a passion for global cultures and knowledge as a child in Australia, inspired by her parents' National Geographic collection. She has since dedicated her career to exploring traditional knowledge systems and their application to contemporary design challenges like extreme weather, waste management, and population growth.

At the heart of Watson's work is a profound respect for indigenous knowledge systems and a commitment to applying Traditional Ecological Knowledge (TEK) to climate-adaptive design. Through her work with Lo-TEK, including the recently launched Lo-TEK Office for Intercultural Urbanism, and her books, Lo-TEK: Design by Radical Indigenism and the upcoming Lo-TEK Water (November 30 release), she strives to facilitate the equitable exchange and implementation of indigenous knowledge and technology to the crucial and complex challenges of our evolving world.

Cas Holman grew up playing make-believe in the woods and helping her mechanic step-dad fix cars and dune buggies. Always knowing that she didn’t check the stereotypical gender boxes, she never gave any of the other arbitrary “boxes” much credit either, instead preferring to focus on the outside-the-box possibilities that could be accessed through play, curiosity, and exploration. While getting her MFA, she began working on Geemo, a building toy, which kicked-off her life’s mission of designing for play. Since then, she’s established herself as a champion of open-ended play, designing notable play systems like Rigamajig. She’s worked with global business leaders to incorporate play into company culture, leading to more innovative outcomes, greater trust and safety, and improved resilience. With her upcoming book, Playful, she is on a campaign to help adults reconnect with play throughout their lives because she knows, and has the research and science to prove it, that with play we ALL become more creative, joyful, and productive. Ain’t that good news!

Architect, artist, and designer, Suchi Reddy, grew up in India where her home played a critical role in her appreciation of how environments shape our experiences. Now, at the helm of her architecture firm + design studio, Reddymade, she’s built a body of work spanning residential,  large-scale commercial environments, and immersive interactive public art installations. As a leader in the practice of neuroaesthetics, a neuroscientific study of the impact of art and aesthetics on brain and body, all her work follows her guiding philosophy: “form follows feeling.” 

Integrating neuroaesthetics into her architecture and design work is an ongoing endeavor in the art of making the invisible visible, as in the physiological responses to spaces or the sounds plants emit in response to stress, and pushing the boundaries of of how we can use design to create spaces that truly nurture our wellbeing.

Designer, craftsman, artist and educator, Norman Teague, grew up in Chicago absorbing the sounds, colors, textures and vibes of his “hood,” fancy cars, and Auntie Aretha’s painting. A highschool Drafting elective was his first real step into the design field, which he then traversed with aplomb through an MFA at SAIC, to the Venice Architecture Biennale, to MoMA, to the design team of the Obama Presidential Center. At the helm of his namesake design studio, he’s built a storied, critically acclaimed career, and a powerful legacy of challenging the design canon, cultural storytelling, and educating generations of future designers.

Charlotte McCurdy is a designer, researcher, and educator working at the intersection of climate change, futures, and materials. She shares how her work—"charismatic objects" such as a carbon-negative raincoat and a high-fashion algae sequin dress—offers more than just striking aesthetics. They are rigorous, tangible experiments in building a bio-based future that doesn’t just reduce harm but actively supports planetary healing and human well-being. In the process, she paints a vivid picture of a bright and desirable world that is not about personal sacrifices or backward motion. We discuss regenerative materials, shifting manufacturing paradigms, and the exponential hopefulness embedded in these actionable possibilities.

Dan Heath, author (or co-author) of bestselling books Like Made to Stick and most recently, Reset: How to Change What’s Not Working, and host of the podcast What It’s Like to Be has a self-described “unnatural curiosity” that leads him head-first into his work. A Thanksgiving dinner caused him to wonder what his relatives' daily lives were really like and sparked the podcast What It’s Like to Be. He’s since talked to everyone from brain surgeon to stadium beer vendor – and in the process turned up some surprising universal themes on relationships, purpose, and the meaning of work. Combine that with his talent for turning a hyper-efficient drive-through trip into Reset, a book full of actionable systems-design logic that will help you get unstuck and make meaningful progress in any endeavor. Toss it all together with some vivid examples and  illustrative word-smithery and the result is a smorgasbord of revelatory insight and inspiration. Bon appetit!